The rate at which PTH has been building its music library is impressive.

According to one of the recruitment threads on a private tracker, the site is run by familiar faces in the community. At the time of writing the membership is capped at 10,000 users, but it’s expected that many more will follow. As is often the case with private trackers, getting on board isn’t easy. Long term PassTheHeadphones is the name that’s obviously inspired by the famous PassThePopcorn site. Recently the tracker has change its URL and now PTH also known like Redacted.ch tracker. In the near future the majority of former members What.cd will flow gradually to PTH tracker with all torrents database. I put AC 2 just a notch behind the transcendence of AC1, but we had a hell of a phish show tonight.Redacted / / PTH – it is a great new music tracker, which recently started to develop rapidly and filled after closing of the famous What.cd tracker. And then Tweeprise is the jump up and down fist pumper that everyone wants to hear, and it sends us onto the wilds of the AC boardwalk, grinning from ear to ear in my case. Slave allows the band and crowd to marvel at our surroundings and contemplate the moment before the traditional glory chords signal the end of the set.ĪLBTD is the show’s lone ballad and Trey brings it to an emotional peak. Number Line continues the party atmosphere, as does Golgi which had a very unusual several minute build-up before it’s usual white light peak. No Mans through Simple was all killer stuff. SYSF continued to allow the band to showcase improv and build a bridge into Simple, where the band took the set’s ramping energy and maneuvered it a slowly building ecstatic rocking peak. And then Tweezer proper was a beast, as the tension releases into celebration, ecstatic segments of music ensued showcasing multiple jam styles. No Mans, the band wastes no time entering a slick grooving funk jam, which then draws out into an oozing tension-build exercise, it felt to me like the last ~5 min of No Mans was Trey slowly drawing back the Tweezer arrow, patiently waiting to let it fly. The church of phish love is such a holy place to be. Screeching Moonage peak of glory sends us into set break. Zero rocked hard and got jammed out for a few awesome but brief minutes, Trey opting for the Bowie cover, which I was stoked for and which tore shit up. I could see it coming back up in shows that require a Page vehicle a la MEAP. It kind of slayed? Leo led first segment was nice but then it gets quickly into a pretty nasty groove. Heavy Rotation, a Page song that I will go ahead and admit I did not recognize - somewhat relieved to see it’s only the 2nd performance ever by the band. Gin gave us the first big jam of the night, but instead of Sigma’s exploratory movement last night we got a slow burn of crescendoing rock riffs that escalated into a massive and satisfying peak. Side note - can we get a Wipeout bust out please? My Soul > 555 > NICU all rocked, tightly played - sand dollar, day at the shore got a nice pop from the crowd. Olivia’s Pool, aka Shafty but filtered by way of a 60s acid-washed surfer band, was extremely fun and a rarity I was stoked to see live. It’s an extremely fun time to be a fan.Ĥ6 Days > Moma, very fun start to a show, both tight concise rocking versions. I agree with others who have commented that 2021-2022 seems to be a new high-water mark era for the band from both a musical and technological standpoint - inventive jamming is happening in both sets with consistency and Kuroda’s kidnapped alien robot intelligence-powered drone-light ballet is peaking right along with the music. Party vibes diffused both sets, and funky grooves blossomed into deep jams in S2. Phish threw down hard for Saturday night on the beach in AC.

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